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Historical Ruminations

Savannah’s and Savannahians contributions to our country are often overlooked by us. Robin Williams, a professor and chair of the Architectural History Department at SCAD, says although Savannah is small it punches out of its weight class. He compared it to a welter weight who can punch and fight in the heavy weight division. The posts in this section will look at some of the ways that this is true.
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Here is Michael Freeman's new book on Savannah. It tells a story not often told of the Creeks and the Native American Creeks who lived in Savannah during its founding. You might  even  say Tomochichi and Mary Musgrove were co-founders of Georgia. 

Savannah's Innovative Educators: Virginia Kiah

9/22/2016

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Virginia Jackson Kiah was born into civil rights royalty in Baltimore. Her mother Lillian Jackson (Ma Jackson) was the matriarchal leader of the Baltimore branch of the National Association for the Advancement of Colored People for thirty years. She was also an accomplished artist who studied at  the Philadelphia Museum School of Art, becoming the first African American student to win the school’s top award in life drawing. She would continue to study at the Teachers College at Columbia University and earned a master’s degree in 1950. She married Calvin Kiah and moved to Savannah, Georgia, where her husband served as a professor and department chair at Savannah State College.
During this time she taught for thirteen years at Beach High School before she left to work full time as a portrait artist. Her art has been on exhibit at the US Capitol building, Telfair Art Museum, and the SCAD Museum of Art as well as many other places. She also as her mother was active in the Civil Rights Movement.
In 1959 she established Savannah’s Kiah Museum. In 1983 the Smithsonian published its first directory of Blacks in Museums which listed among its pioneer members Mrs. Virginia Jackson Kiah and the Kiah Museum in Savannah. The Museum was started in her home on 505 W. 36th Street in the historic Cuyler Brownsville Neighborhood (but today is closed and the building is  in disrepair). An article posted at Savannahnow.com on June20, 2016 reads as follows:
Her collection was not necessarily about ‘this is a black museum,’ but to give people the experience of a Smithsonian museum in the community,” Johnson-Simon said.
“She would mine historic buildings,” she said. For example, Virginia would salvage plaster medallions from ceilings and iron hinges from doors, both representing a time in history.
Virginia also had on display a 15-million-year-old fossil, a Nigerian sculpture, a small engraving by Albrecht Dürer (b.1471, d.1528), elegant Haitian carvings, early American primitive paintings and many of Virginia’s own paintings.’ 

​It was a neighborhood museum to teach the community that felt uncomfortable in what had been traditionally shut off from them.


She also became a founding member of the National Conference of Artists, established at Atlanta University in order to “preserve, promote, inspire, and support African American art and culture through the visual arts.” The NCA is the oldest and largest visual art organization that provides a national and international forum for emerging and established artists of African descent. Numerous chapters are located throughout the country, including Atlanta, Detroit, Chicago, Boston, Birmingham, Washington, D.C., Philadelphia, Dallas, Los Angeles, and Rochester, New York.   
She was an early supporter of the Savannah College of Art and Design and served on its board. For her service SCAD named Kiah Hall the original site of the SCAD Museum of Art after her.
Ms. Kiah was an artist, cultural preservationist, activist, and promoter of artists. She gave those in the Culyer Brownsville neighborhood part of what she had as she grew up. Today different members of the Savannah community are working to preserve the museum she shared with her neighbors. Her life was an act of love delivered with an artistic hand.

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                          Kiah Hall
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